This new work, developed during my residency in Jingdezhen, builds on my ongoing exploration of London’s liminal urban landscape. Using an animal tracking camera to document the city at night, I have created large archives of images that capture its rhythm, density, and atmosphere.

In Jingdezhen, I have extended this process to focus on the city’s people, factory spaces, and ceramic traditions. These photographs are transformed through screen printing and high-temperature firing, with oxides and stains producing subtle distortions in the kiln. The resulting ceramic images hover between clarity and abstraction, echoing the instability of memory and place.

Alongside this, I have created sculptural works influenced by my walks and observation of the built environment, using celadon glazes and reduction firing to connect the material language of both cities.